Skip to main content

Silver Sound 6 January 2017: Bristol, Balloons and Shaun the Sheep!



Today’s guest was Bristol artist Jenny Urquhart. Jenny creates contemporary, vibrant paintings of her favourite places, working with acrylic, ink, collage, computer-based graphics, and photography. She is best known for her paintings of Bristol scenes with balloons. Her paintings also feature scenes from Devon, Cornwall and North Wales. One of Jenny’s favourite Bristol subjects is the Bristol Suspension Bridge.

If you are travelling through Temple Meads any time soon you will see some of her work, and that of other Bristol artists, on display in the station.

Jenny taught biology for ten years before switching careers and painting full time. In 2015 she painted two Shaun the Sheeps for the 2015 Shaun in the City campaign to raise money for sick children. Her Shauns are Lambmark Larry, which was displayed in London Paddington Railway Station, and Baalloon, which was displayed in Bristol.

Jenny has recently published a Bristol colouring book featuring some of her best-loved Bristol paintings.

Jenny is a patron of CCS Adoption (Clifton Children’s Society) which finds homes for children in the south west. She was recently involved in a massive fund raiser called “This is Bristol”, when she invited Bristolians to send photos of themselves, their houses, pets, or favourite Bristol places. She made the photos into a collage which was raffled off for CSS.

You can find out more about the work of CSS Adoption on their website.

This year Jenny plans to focus on rural landscapes, and will also be visiting Pembrokeshire for the first time.

We featured the music of sixties female group The Velvellettes, and Gerard provided us with a quiz inspired by our guest.


You can listen to the show here (10 am to 11 am)


Silver Sound is broadcast by BCfm 93.2 fm between 10 am and mid day on Thursdays and Fridays. I’ll be back on the show on 27 January 2017 with another fabulous guest!





Comments

Popular posts from this blog

'We will have a fire': arson during eighteenth-century enclosures

Join our Winter Solstice Blog Hop! Thirty writers throw light on a dazzling range of topics . Follow the links at the end of this article to be enlightened and brightened by our blogs...  “Inclosure came and trampled on the grave Of labours rights and left the poor a slave And memorys pride ere want to wealth did bow Is both the shadow and the substance now.”    John Clare, The Mores     On 1 May 1794, the writer Hester (Thrale) Piozzi of Streatham Park recorded in her diary that the furze on the common had been set on fire in protest at the enclosure of land “which really & of just Right belonged to the poor of the Parish”. Yet even while she acknowledged that the protesters had justice on their side, she criticised them for not “going to Law like wise fellows” and concluded: “So senseless are Le Peuple , & so unfitted to be souverain”. The senseless poor of Streatham were not unique. During the eighteenth centu...

My blog has moved to https://lucienneboyce.com/blog/

My blog has moved to my new website and is now at https://lucienneboyce.com/blog/  I'm no longer posting blogs on this site, but you can still read the old blogs on this site, or you can find them at the new location.     

From Hogarth to Rowlandson: Medicine in Art in Eighteenth Century Britain, Fiona Haslam, (Liverpool University Press, 1996)

I’m often asked about how I go about doing the research for my historical novels. One of the sources I usually mention is visual art. I’ve always found that looking at contemporary paintings, prints, sketches, sculpture and so on reveals a wealth of information about how people of the past lived – what they wore, what sort of houses they lived in, how they spent their time, the towns and villages they inhabited. Going to an art gallery is one of my favourite research trips – especially if there’s a decent café with tea and cake at the end of an afternoon’s study! Of course, you don’t always have to take artistic representations literally. It’s obvious that whatever you’re looking at is an interpretation of the reality: it’s how the artist saw it. In fact, this subjectivity can be a real advantage if you’re looking for ideas about how people lived and thought. Often the most exaggerated representations, such as satirical prints or caricature, are the most revealing, telling us thi...