Skip to main content

Julia Prima by Alison Morton: Pagans v Christians

Julia Prima, Alison Morton (Pulcheria Press, 2022) 

Alison Morton is the inventor of Roma Nova, a small but influential state (about the size of Luxembourg) founded in AD395 by 400 Romans led by Senator Apulius and his daughters. Apulius, his daughters and the people who followed him had seceded from the Roman Empire when their freedom to worship Rome’s traditional, pagan gods was obliterated by the new official religion of Rome, Christianity. Alison Morton has written nine thrillers about modern-day Roma Nova, which has developed over the centuries into a state which has retained many Roman republican qualities – the Roman gods are still worshipped – but where women have come to wield real political and social power. 


It's a fascinating and well-developed alternative history, and in Julia Prima Alison Morton takes the reader back to the beginning and gives us the story of Apulius and his wife, Julia. From the minute they set eyes on one another it’s a tale of stormy passions and unconquerable love. Separated, as in all good romances lovers must be, they have to overcome heartache and hardship, distance and danger before they can be reunited.

For me, it was what separated the pair that held the greatest interest – the clash between paganism and Christianity. As the author explains in her historical notes at the end of the novel, Julia’s problem is that she is trapped between Roman and Christian law. Under the first she’s legally divorced from her first, unpleasant and Christian husband. Under the second she is still considered to be his wife, and so she cannot remarry for fear of causing offence to the Christians and thus jeopardising her family’s position. It is only by removing herself from the influence of the local bishop, Eligius, that she dare contemplate remarriage.  

The struggle between paganism and Christianity is a subject that’s fascinated me for a long time, and so I was interested to see how it’s handled in Julia Prima. Here, there’s a real sense of the persecution pagans suffered as their religious practices were stamped out by increasingly harsh laws and the devastating intolerance of many of the founders of the Christian church, which had nothing to do with the teaching of Christ. What it did have a lot to do with, or at least so the novel suggests, was power.

Christianity is portrayed as a stepping stone to political and social influence. Bishop Eligius wields political power and cultivates influental people, all the way up to the Emperor. Julia’s father publicly attends Christian services while privately adhering to his own faith, in order to maintain his position as leader of his province. Soldiers become Christians because not doing so means the loss of rank, as Apulius discovers to his cost. To these characters, Christianity is a religion of expediency; it’s what they have to do if they want to get on. It’s also increasingly a religion of safety as the Christians grow in power and influence, and persecution intensifies. People “mumble their [the Christians’] prayers and do what’s necessary” in order to survive. In Julia Prima, the author makes their predicament real and personal; the history comes alive.

And it is very lively! The story evolves into a journey narrative, and what an exciting journey it is, with shadowy pursuers, attacking bandits, fights and disguises. All in all,  the premise is intriguing, the characters well drawn, and the setting very well realised indeed. I really felt as if I was on that journey with Julia and her two faithful servants – both appealing characters in their own right – experiencing the heat and the dust, the dangers, the horrible food, the adrenalin rush of the fights. A perfect read for us armchair adventurers who wouldn’t know one end of a gladius from the other!

Alison will be joining me in my next blog on 7 September 2022 to talk about Romans, writing about distant times and places, and more. In the meantime, you can catch up with her on her blog tour.

 


 

Comments

  1. Goodness, that's a comprehensive and insightful review! Thank you, Lucienne. We hear a great deal about the persecution of Christians, but very little about the other end of the tunnel – the repression against those continuing to worship the old gods. This division split families and created turmoil at a time full of other pressures. Eventually, in order to have a peaceful life, people went along with it.

    ReplyDelete

Post a Comment

Popular posts from this blog

Dickens and Chickens

On 17 April 1860, in fields near Farnborough, Charles Dickens joined an audience amongst whom were the Prince of Wales and the Prime Minister, Lord Palmerston, as well as a number of MPs and clergymen, to watch the American John Carmel Heenan and England’s Tom Sayers (the Brighton Titch) beat one another blind and bloody in a bare-knuckle fight that lasted nearly two and a half hours. The fight ended in a draw when Aldershot police stormed the ring, forcing the fighters and their illustrious spectators to flee the scene. It was the brutality of this match that signalled an end to the bare-knuckle era and prompted the development of the Marquess of Queensberry’s rules. Dickens’s interest in pugilism was of long standing. In 1848 Dombey and Son , which had been published in serial form over the preceding two years, came out in book form. One of many of his novels that draws on the world of the prize fighter, it introduces the unforgettable Mr Toots, a would-be man about town, an...

The Bristol Boys: The Bare Knuckle Champions and The Hatchet Inn

The Hatchet Inn on Frogmore Street in Bristol is all that remains of a row of seventeenth-century timbered houses dating back to 1606 – making it one of the city’s oldest pubs. It was substantially altered in the 1960s, and these days it stands on a traffic island. But at one time it boasted extensive grounds – and amongst the facilities on offer was a bare-knuckle boxing ring. Plaque at The Hatchet Inn, Bristol The pub’s connection with Bristol’s boxing heroes is commemorated in a plaque illustrating five of Bristol’s champions – one of whom, Hen Pearce, features in Bloodie Bones: A Dan Foster Mystery. Hen Pearce (Detail) Bristol born Hen Pearce, The Game Chicken (1777 – 1809), a former butcher’s boy, became champion of England in 1805. He was a hero inside and outside the ring. In 1807 he climbed onto the roof of a building in Thomas Street, Bristol to rescue a servant girl from a fire. Always a popular figure, this courageous act inspired many eulogies in pr...

'We will have a fire': arson during eighteenth-century enclosures

Join our Winter Solstice Blog Hop! Thirty writers throw light on a dazzling range of topics . Follow the links at the end of this article to be enlightened and brightened by our blogs...  “Inclosure came and trampled on the grave Of labours rights and left the poor a slave And memorys pride ere want to wealth did bow Is both the shadow and the substance now.”    John Clare, The Mores     On 1 May 1794, the writer Hester (Thrale) Piozzi of Streatham Park recorded in her diary that the furze on the common had been set on fire in protest at the enclosure of land “which really & of just Right belonged to the poor of the Parish”. Yet even while she acknowledged that the protesters had justice on their side, she criticised them for not “going to Law like wise fellows” and concluded: “So senseless are Le Peuple , & so unfitted to be souverain”. The senseless poor of Streatham were not unique. During the eighteenth centu...